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Colors in medieval art
Main entry-name Virdis, Alberto (Author) Title statement Colors in medieval art : theories, matter, and light from Suger to Grosseteste (1100-1250) / Alberto Virdis Edition statement First edition Publication Roma : Viella ; Brno : Masarykova univerzita, 2023 Phys.des. 396 strán, 2 nečíslované strany : čiernobiele a farebné ilustrácie, fotografie ; čiernobiele pôdorysy ; 22 cm ISBN 9791254693629 9788028003296 Edition Convivia ; III Note Graphic design & typesetting - Kristýna Smrčková Obsahuje bibliografické odkazy v poznámkach za jednotlivými kapitolami. Obsahuje bibliografiu na stranách 339 až 387. Obsahuje registre Incomplete contents Introduction: The Elusiveness of Colors -- From Modern to Medieval Color: Methodological Caveats and Historiographical Approaches -- The Color and Language Conundrum -- A Historiographical Note: Koloritsgeschichte vs. Historical Approach -- Michel Pastoureau: Colors at the Crossroads of History and Anthropology -- From Color to Experience and Abstraction -- 1. Science, Theology, and Aesthetics -- 1.1 Color and Theories of Vision -- Plato and Aristotle -- The Islamic World and the Spread of Aristotelian Knowledge -- From Al-Kindī to Averroes -- From the Early Medieval Three-Color System to Intermediate Colors: Medieval Encyclopedias and the Look on the Natural World -- 1.2 Theological Debate and Aesthetic Formulations on Light and Colors: an Intertwining Dialogue -- Late Antiquity -- Pseudo-Dionysius' Neoplatonism and its Long Legacy -- Matter or Light? Early Medieval Aesthetics and the Iconoclastic Controversy -- From Bernard of Clairvaux to Robert Grosseteste: Theology, Literature, and Science -- 1.3 Technical Art Treatises of the Early middle Ages and the Twelfth Century -- Heraclius' De coloribus et artibus Romanorum -- De coloribus et mixtionibus -- Theophilus' Schedula diversarum artium -- 2. A Kind of Blue: Abbot Suger and the Materia Phirorum -- 2.1 The Abbey of Saint-Denis -- Historical Milestones -- The Enlargement of the Basilica at the Time of Suger (ca. 1135-1144) -- The French Revolution and the Nineteenth Century -- 2.2 Color, Stained-Glass Windows, Liturgical Furnishings, and the Neoplatonic Metaphysics of Light -- Light and Color in Suger's Writings -- The Metaphisics of Light -- What is the Materia Saphirorum? -- Saphirus as a Color Term -- Saphirus as a Precious Stone -- Saphirus as a Pigment -- Anagogical Color: From Matter to light -- 2.3 The Iconology of Blue at Saint-Denis -- The Rise of Blue -- A Supernatural Color? -- 3. Robert Grosseteste's De colore and the Cathedral of Lincoln -- 3.1 Robert Grosseteste: A Biographical Profile -- Grosseteste's Works -- 3.2 Light and Color -- De Luce -- De Colore -- De Iride -- Le Chasteu d'amur -- 3.3 The Cathedral of Lincoln and its Stained-Glass Windows -- Architecture -- The Thirteenth-Century Stained-Glass Windows -- The Vitae of St. hugh of Lincoln -- 3.4 Grosseteste's translation of Pseudo-Dionysius -- The Mystical Theology, Color Metaphors, and Stained-Glass Windows -- 4. Mystical Colors: Anagogical Windows in Lincoln and Saint-Denis Subject Headings 12. - 13. stor. teória umenia výtvarné umenie architektúra stredoveké umenie svetlo vo výtvarnom umení farby Form, Genre monografie Country Italy Language English Copy count 1, currently available 1 Database Books 
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Call number Sign. PK Track No. Location Sublocation Info N-1772 49806 Knižnica SNG Study SNG
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