Number of the records: 1
Voids
Title statement Voids : a retrospective / [edited by Mathieu Copeland ... [et al.]] Another responsib. Copeland, Mathieu (Editor) Issue data Zürich : JRP/Ringier, 2009 Phys.des. 527 strán : čiernobiele a farebné ilustrácie ISBN 9783037640364 (viaz.) Note Obsahuje bibliografické odkazy Annotation A quite exceptional event, "Vides" (Voids) is a retrospective of empty exhibitions since that of Yves Klein in 1958. In almost a dozen rooms of the National Museum of Modern Art, it assembles in a totally original manner exhibitions that showed absolutely nothing, leaving empty the space for which they were designed. The idea of exhibiting emptiness is a recurring notion in the history of art over the past fifty or so years, almost to the point of becoming a clich ̌in the practice of contemporary art. Since the exhibition by Yves Klein ₆ "The Specialization of Sensibility in the Raw Material State of Stabilized Pictorial Sensibility" in Paris in 1958, totally empty exhibitions have been the statement of different conceptions of vacuums. While for Yves Klein it was a way to point out the sensitive state, by contrast it represents the peak of conceptual and minimal art for Robert Barry with "Some places to which we can come, and for a while 'be free to think about what we are going to do Subject Headings Klein, Yves, 1928-1962 Barry, Robert, 1936- Irwin, Robert, 1928- Asher, Michael, 1943- Parsons, Laurie, 1915- Huws, Bethan, 1961- Eichhorn, Maria, 1962- Ondák, Roman, 1966- Brouwn, Stanley, 1935- konceptuálne umenie - 20. stor. konceptuálne umenie - 21. stor. architektúra - 20. stor. architektúra - 21. stor. svet Form, Genre katalógy galérií a múzeí Country Switzerland Language English * French Copy count 1, currently available 1 Database Catalogues of exhibition Call number Sign. PK Track No. Location Sublocation Info G.XVI-560 39625 Knižnica SNG Sklad
Number of the records: 1