Number of the records: 1  

The Meaning of Art

  1. SYS0020159
    LBL
      
    00000nam-a22^^^^^3a-4500
    003
      
    SK-BrSNG
    005
      
    20190624104007.4
    007
      
    ta
    008
      
    180205s1966----xxkachogr-----000-0-eng-d
    040
      
    $a BA406 $b slo
    041
    0-
    $a eng
    044
      
    $a xxk $c GB
    084
      
    $a N
    100
    1-
    $7 sng_us_auth*0042530 $a Read, Herbert, $d 1893-1968 $4 aut
    245
    10
    $a The Meaning of Art / $c Herbert Read
    250
      
    $a Reprinted
    260
      
    $a Harmondsworth : $b Penguin Books, $c 1966
    300
      
    $a 196 strán, [4] strany : $b čiernobiele ilustrácie, fotografie, portréty, faksimile ; $c 18 cm
    490
    0-
    $a Pelican Books ; $v A213
    490
    0-
    $a Pelican Books ; $v 7/6
    500
      
    $a Publikácia je upravená séria článkov pre "The Listener"
    505
    10
    $t Definition of art --
    505
    10
    $t The sense of beauty --
    505
    10
    $t Definition of beauty --
    505
    10
    $t Distinction between art and beauty --
    505
    10
    $t Art as intuition --
    505
    10
    $t The classical ideal --
    505
    10
    $t Art not uniform --
    505
    10
    $t Art and aesthetics --
    505
    10
    $t Form and expression --
    505
    10
    $t The Golden Section --
    505
    10
    $t Limitations of geometrical harmony --
    505
    10
    $t Disortion --
    505
    10
    $t Pattern --
    505
    10
    $t The personal element --
    505
    10
    $t Definition of pattern --
    505
    10
    $t Definition of form --
    505
    10
    $t What happens when we look at a picture --
    505
    10
    $t Empathy --
    505
    10
    $t Sentimentality --
    505
    10
    $t The necessity of form --
    505
    10
    $t Content --
    505
    10
    $t Art without content : pottery --
    505
    10
    $t Abstract art --
    505
    10
    $t Humanistic art : the portrait --
    505
    10
    $t Psychological values --
    505
    10
    $t The elements of work of art --
    505
    10
    $t Line --
    505
    10
    $t Tone --
    505
    10
    $t Colour --
    505
    10
    $t Form --
    505
    10
    $t Unity --
    505
    10
    $t Structural motives --
    505
    10
    $t Primitive art --
    505
    10
    $t Bushman paintings --
    505
    10
    $t Significance of primitive art --
    505
    10
    $t Organic and geometrical art --
    505
    10
    $t Fusion of organic and geometrical principles --
    505
    10
    $t Art and religion --
    505
    10
    $t Art and humanism --
    505
    10
    $t Peasant art --
    505
    10
    $t National art : Egypt --
    505
    10
    $t Coptic art --
    505
    10
    $t The Pyramids --
    505
    10
    $t Egyptian sculpture --
    505
    10
    $t Pre-Columbian art --
    505
    10
    $t Origin of historical types --
    505
    10
    $t Chinese art --
    505
    10
    $t Persian art --
    505
    10
    $t Byzantine art --
    505
    10
    $t Celtic art --
    505
    10
    $t The approach to Christian art --
    505
    10
    $t Material and immaterial forces --
    505
    10
    $t The influence of the Church --
    505
    10
    $t Gothic art --
    505
    10
    $t English Gothic --
    505
    10
    $t Renaissance art --
    505
    10
    $t Drawings of the Italian masters --
    505
    10
    $t The art of drawing --
    505
    10
    $t Intellectual art --
    505
    10
    $t Realism --
    505
    10
    $t Textual and representational realism --
    505
    10
    $t Naturalism --
    505
    10
    $t Rubens --
    505
    10
    $t El Greco --
    505
    10
    $t Baroque and rococo --
    505
    10
    $t Defintion of baroque --
    505
    10
    $t Definition of rococo --
    505
    10
    $t The essence of rococo --
    505
    10
    $t Landscape painting --
    505
    10
    $t The English tradition --
    505
    10
    $t Gainsborough --
    505
    10
    $t Blake --
    505
    10
    $t Turner --
    505
    10
    $t Art and nature --
    505
    10
    $t Constable --
    505
    10
    $t Delacroix --
    505
    10
    $t The Impressionists --
    505
    10
    $t Renoir --
    505
    10
    $t Cézanne --
    505
    10
    $t Van Gogh --
    505
    10
    $t Gauguin --
    505
    10
    $t Henri Rousseau --
    505
    10
    $t Picasso --
    505
    10
    $t Chagall --
    505
    10
    $t The racial factor --
    505
    10
    $t Lyricism and symbolism --
    505
    10
    $t Expressionism and idealism --
    505
    10
    $t The Expressionist movement --
    505
    10
    $t Kandinsky --
    505
    10
    $t "The Bridge" and the "Blue Rider" groups --
    505
    10
    $t Paul Klee --
    505
    10
    $t Max Ernst --
    505
    10
    $t Salvador Dali --
    505
    10
    $t Tachism --
    505
    10
    $t Modern sculpture --
    505
    10
    $t Henry Moore --
    505
    10
    $t Barbara Hepworth --
    505
    10
    $t The artist's point of view --
    505
    10
    $t Tolstoy's point of view --
    505
    10
    $t Tolstoy and Wordsworth --
    505
    10
    $t Another point of view : Matisse --
    505
    10
    $t Communication : feeling and understanding --
    505
    10
    $t Art and society --
    505
    10
    $t The will-to-form --
    505
    10
    $t The ultimate values
    650
    07
    $7 sng_us_auth*0031711 $a psychológia umenia $2 sngthes
    650
    07
    $7 sng_us_auth*0031742 $a dejiny umenia $2 sngthes
    650
    07
    $7 sng_us_auth*0031685 $a teória umenia $2 sngthes
    650
    07
    $7 sng_us_auth*0031642 $a výtvarné umenie $2 sngthes
    650
    07
    $7 sng_us_auth*0031684 $a estetika umenia $2 sngthes
    650
    07
    $7 sng_us_auth*0031683 $a estetika $2 sngthes
    655
    -7
    $7 sng_us_auth*0051991 $a zbierky $2 sngthes
    910
      
    $a SNG

Number of the records: 1  

  This site uses cookies to make them easier to browse. Learn more about how we use cookies.