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Sculpture in Italy
Záhlavie-meno Seymour, Charles, Jr. (Autor) Údaje o názve Sculpture in Italy : 1400 to 1500 / Charles Seymour Jr Nakladateľ Harmondsworth : Penguin Books, 1966 Fyz.popis XXVI strán, 295 strán, 160 strán obrazovej prílohy : čiernobiele ilustrácie, fotografie, mapy, schémy ; 27 cm Edícia The Pelican History of Art Poznámky Obsahuje zoznam vyobrazení. Obsahuje mapu Talianska. Obsahuje zoznam skratiek použitých v publikácii Obsahuje bibliografické odkazy v poznámkach na stranách 219 až 252. Obsahuje bibliografiu na stranách 253 až 278. Obsahuje register Neúplný obsah 1. Introduction: Background and Conditions for Fifteenth-Century Sculpture in Italy -- Nature and Sculpture -- Statua Virile -- The Theoreticians: Alberti, Ghiberti, Filarete, Pomponio Gaurico -- Practical Considerations; Workshop Organization -- Patters of Patronage; Programmes and Costs -- Artistic Geography: Location and Transport of Stone; Regional Zones and Local Schools; Sculptors' Travels annd Influence -- Collaborative Programmes of the Late Trecento: Naples and Rome -- Lombardy, 1380-1400: Peninsular 'International' Trends; Basis for a Later Regional School -- Venice, 1380-1410: Programmes and Patterns of Influence; the dalle Masegne -- Tuscany, 1380-1400: Trends in Silver and Marble; the Workshops of Florence Cathedral -- 2. Emergence of Personalities and Principles, Tuscany 1390-1410 -- The Porta della Mandorla: Younger Sculptors of the First Phase, 1391-7 -- The Competition for the Bronze Doors of the Baptistery of Florence, 1401-3; Emergence of Ghiberti and Brunelleschi -- Ghiberti's First Bronze Doors: Development in Style; Early Influence -- Early Tuscan Statuary: First KnownPhase of Jacopo della Quercia -- The First Statues of the Fifteenth Century for Florence Cathedral: Emergence of Donatello, Nanni di Banco, Ciuffagni -- Early-Fifteenth-Century Wood Statues of the Sienese School -- 3. New Directions, Tuscany 1410-20 -- The seated Figure and the Evangelist Series for the Cathedral of Florence: Nanni di Banco, Conatello, Lamberti, Ciuffagni -- The Earlier Tabernacle Programmes of Or San Michele, 1400-15 -- Nanni di Banco's Last Phase on the Porta della Mandorla and Quercia's Middle Phase on the Fonte Gaia -- The Relief Styles of Donatello and Quercia, to 1422 -- Lost Figures for Florence Cathedral; the Prophets for the Façade and Campanile -- The New Humanism and the Human Figure: Ghiberti at Or San Michele; Donatello and Brunelleschi -- 4. Definition, 1425-35 -- The Coscia Monument: Definition of the Florentine Wall-Tomb of the Quattrocento -- The Font of the Siena Baptistery: Ghiberti, Donatello, and Quercia and the Bronze Relief -- The Epic Style, I: Monumental Statuary and Relief in an Architectural Setting by Quercia at S. Petronio in Bologna -- The Epic Style, II: Last Statuary by Donatello for the Florence Campanile; Michelozzo and the Brancacci and Aragazzi Monuments; Interlude in Rome, 1431-3 -- The 'Singing Galleries' in Florence Cathedral and the Problem of presenting Continuous Action in Relief Sculpture; the Emergence of Luca della Robbia -- 5. Consolidation, 1435-50 -- North Italy and Venice to 1450: Florentine Sculptors in the North, Venetian Sculptors and Trends, Pisanello and the Origins of the Renaissance Medal -- Programmes in Relation to Architecture. Ghiberti's 'Gates of Paradise', Donatello in S. Lorenzo, Filarete in Rome -- Developments in Florence to 1450: Buggiano; the Middle Period of Luca della Robbia; the Emergence of Bernardo Rossellino -- 6. Elaboration, 1450-65 -- The Glorification of Virtù: Monumental Programmes in Padua, Rimini, and Naples. Donatello in Padue, The Decoration of the 'Tempio Malatestiano' at Rimini, The Triumphal Arch of the Castelnuovo in Naples -- The Generation of 1430 in Florence: Mino da Fiesole, Antonio Rossellino, and Desiderio da Settignano -- The Classicizing Movement in Marble, c. 1460: Il Greco at Urbino and Andrea Guardi on the West Coast -- Donatello's Last Period in Florence and Siena; Sienese Sculpture of the Third Quarter of the Quattrocento: Vecchietta, Federighi, Francesco di Giorgio, Neroccio -- Younger Masters in Florence in the 1460s: Desiderio's Shop -- 7. Regionalism and Eclecticism, 1465-1500 -- Sculpture in Rome, 1460-85. 1460-5: Isaia da Pisa, Paolo Romano, Mino da Fiesole ; 1465-85: Andrea Bregno, Giovanni Dalmata, Mino da Fiesole, and Luigi Capponi -- Central Italy, 1475-1500: Silvestro dell'Aquila, Francesco da Laurana, and Domenico Rosselli -- Tuscany and Regional Trends in the Emilia and on the West Coast, 1475-1500. Andrea della Robbia and Benedetto da Majano of Florence; Matteo Civitale of Lucca, Emilian and West Coast Sub-styles -- 8. Activism and Realism, 1465-95 -- Tuscan Activism: Verrocchio, 1465-88 -- Antonio and Piero del Pollaiuolo in Rome -- The Historical Problem of Leonardo da Vinci as a Sculptor -- Activism and Realism North of Florence: the Current of Niccolò dell'Arca and of Mazzoni -- 9. Intermezzo: Northern Italy, 1465-1500 -- The Lombard Workshops of Milan and Pavia: A First Phase, to 1485 -- The Lombard Workshops of Milan and Pavia: A Second Phase, to 1500; the Gaggini in Genoa and Sicily -- Venetian Monumental Sculpture, 1465-1500: the Lombardi and Antonio Rizzo -- Some Aspects of Bronze Sculpture in Northern Italy, to 1500: Bellano, Riccio, 'Antico' -- 10. Coda: Florence, 1485-1500 -- Intellectual and Social Envirnment: the Problem of Sculpture at the Fin-de-Siècle -- Varieties of Style, 1485-1500: Late Bertoldo and Benedetto da Majano; Giuliano da San Gallo and Andrea Sansovino; Andrea Ferrucci -- Michelangelo and Fifteenth Century Sculpture Predmet. heslá 15. stor. sochárstvo sochári dejiny umenia Taliansko Kľúč.slová quattrocento * sochárstvo quattrocenta * skulptúra quattrocentra * talianske sochárstvo * talianska skulptúra * dejiny sochárstva * talianski sochári Forma, žáner monografie Krajina Spojené kráľovstvo, Spojené kráľovstvo Veľkej Británie a Severného Írska Jazyk dok. Angličtina Počet ex. 1, z toho voľných 0, prezenčne 1 Báza dát Knihy 
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