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Colors in medieval art
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$a Colors in medieval art : $b theories, matter, and light from Suger to Grosseteste (1100-1250) / $c Alberto Virdis 250 $a First edition 264 -1
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$t Introduction: The Elusiveness of Colors -- $t From Modern to Medieval Color: Methodological Caveats and Historiographical Approaches -- $t The Color and Language Conundrum -- $t A Historiographical Note: Koloritsgeschichte vs. Historical Approach -- $t Michel Pastoureau: Colors at the Crossroads of History and Anthropology -- $t From Color to Experience and Abstraction -- $t 1. Science, Theology, and Aesthetics -- $t 1.1 Color and Theories of Vision -- $t Plato and Aristotle -- $t The Islamic World and the Spread of Aristotelian Knowledge -- $t From Al-Kindī to Averroes -- $t From the Early Medieval Three-Color System to Intermediate Colors: Medieval Encyclopedias and the Look on the Natural World -- $t 1.2 Theological Debate and Aesthetic Formulations on Light and Colors: an Intertwining Dialogue -- $t Late Antiquity -- $t Pseudo-Dionysius' Neoplatonism and its Long Legacy -- $t Matter or Light? Early Medieval Aesthetics and the Iconoclastic Controversy -- $t From Bernard of Clairvaux to Robert Grosseteste: Theology, Literature, and Science -- $t 1.3 Technical Art Treatises of the Early middle Ages and the Twelfth Century -- $t Heraclius' De coloribus et artibus Romanorum -- $t De coloribus et mixtionibus -- $t Theophilus' Schedula diversarum artium -- $t 2. A Kind of Blue: Abbot Suger and the Materia Phirorum -- $t 2.1 The Abbey of Saint-Denis -- $t Historical Milestones -- $t The Enlargement of the Basilica at the Time of Suger (ca. 1135-1144) -- $t The French Revolution and the Nineteenth Century -- $t 2.2 Color, Stained-Glass Windows, Liturgical Furnishings, and the Neoplatonic Metaphysics of Light -- $t Light and Color in Suger's Writings -- $t The Metaphisics of Light -- $t What is the Materia Saphirorum? -- $t Saphirus as a Color Term -- $t Saphirus as a Precious Stone -- $t Saphirus as a Pigment -- $t Anagogical Color: From Matter to light -- $t 2.3 The Iconology of Blue at Saint-Denis -- $t The Rise of Blue -- $t A Supernatural Color? -- $t 3. Robert Grosseteste's De colore and the Cathedral of Lincoln -- $t 3.1 Robert Grosseteste: A Biographical Profile -- $t Grosseteste's Works -- $t 3.2 Light and Color -- $t De Luce -- $t De Colore -- $t De Iride -- $t Le Chasteu d'amur -- $t 3.3 The Cathedral of Lincoln and its Stained-Glass Windows -- $t Architecture -- $t The Thirteenth-Century Stained-Glass Windows -- $t The Vitae of St. hugh of Lincoln -- $t 3.4 Grosseteste's translation of Pseudo-Dionysius -- $t The Mystical Theology, Color Metaphors, and Stained-Glass Windows -- $t 4. Mystical Colors: Anagogical Windows in Lincoln and Saint-Denis 648 -7
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